Maryhill visit
We leave Elin on Great Western Road.
On the ground, in front of an abandoned showcase, small glass squares form a rectangular carpet or circles that cover a part of the sidewalk. This is a lighting system for subsoil reserves, explains Mark. I met him in the morning, and he generously offered a walk in what turns out to be the district of his childhood. For starters, it reveals me, concealed behind trees, on a bordered part between motorway access ramps and a metro outlet, a sculpture of Saint Georges terrassing the dragon. He told me that she was perched at the top of a large building today destroyed, and an artist whose name I have forgotten has largely contributed to the safeguarding of these stones.
Having the Tardocapitalist city for central motif, exploring explore friction zones and fracture lines.
The urban space appears as a perpetual mutation entity, force field, semiotic machine where the thickness of the story is read.
Camille Fallet has been conducting a job that addresses issues of the experience of the place and its transcription through the lyric document. His research is also that of previous images, linked to a personal imaginary. In this associative visual memory, the notion of cutting, dual sense of extraction and sequence, holds an essential place.