“October 13, 2015: very first meeting with Catherine Poncin, I discovered a singular photographic work, carried by a qualified photographer as a post-photographer, and soon the new part of a game that I like – the taking in hand of the collection and its history by an artist – and whose rule I develop over time Faithful to the museum triad to which I believe – a museum like a jacquard fabric with armor made of three colors that are dreams of eternity, of knowing and sharing – I also dare the risk of risk and of freedom.It is that of the artist, our fourth color, provided that it always escapes a little words, elusive, with the impossible for shelter, the color of the moon, the sun, the color of time, the color of the weather or the passage of time […] As the months go by, Catherine will regularly return to the museum. 2016, the conservation team do it urgently evacuate the collection kept in archeological crypt. The climate is not healthy, and the preservation of objects is no longer assured. The artist is present. It will capture the very last moments of a scenography now obsolete. The photographer operator who accompanies him places the device parallel to the walls of windows. “[…]
Florence Calame-Levert
Catherine Poncin
Artiste, Photographe, Plasticien
L’Empreinte de la photographie
Catherine Poncin
Christian Michel
Rencontre Catherine Poncin – Christine Ollier
Catherine Poncin
Christine Ollier
Porte-folio
Smith, Ellen Kooi, Catherine Poncin, Thibaut Cuisset, Corinne Mercadier, Thierry Fontaine, Yusuf Sevinçli, Matt Wilson, Karen Knorr, Laura Henno
Carpe Diem
Catherine Poncin
Michel Poivert, Florence Calame-Levert
Archives d’un présent
Catherine Poncin
Ricardo Arcos-Palmas, Gonzalo Sanchez G.
1418. échos, versos et graphies de batailles
Catherine Poncin
Michel Poivert, Guillaume Nahon
Corpus
Catherine Poncin
Van Speybroeck Daan
Éloge de combats ordinaires
Catherine Poncin
Magali Jauffret
La boîte de Pandore
Catherine Poncin
Nathalie Leleu
Vertiges
Catherine Poncin
Nourredine Saadi
Vis à vis
Catherine Poncin
Armelle Canitrot
Eclats
Catherine Poncin
Alger Elèves du Lycée A. Dumas
Sans conte, ni légende
Catherine Poncin
Rajae Benchemsi
Du champs des hommes
Catherine Poncin
Emmanuel Hermange
Catherine Poncin
Catherine Poncin
Paul Ardenne
Détournement d’intention
Catherine Poncin, Jean-Paul Chavent
Michel Poivert
Auteur, Critique d'art
1+2 FABULÆ
Céline Clanet, Gaëlle Delort, Alžběta Wolfová
Michel Poivert
Rencontre Anaïs Boudot
Anaïs Boudot
Michel Poivert
Re-connexions
Almudena Romero, Téo Becher, Marion Ellena
Michel Poivert, Fabien Ribery
Odyssées
Aglaé Bory
Michel Poivert
Carpe Diem
Catherine Poncin
Michel Poivert, Florence Calame-Levert
Dérive des baigneuses
Sandra Rocha
Michel Poivert
Guillaume Herbaut
Guillaume Herbaut
Michel Poivert, Sophie Bernard
Les Cahiers de la Fondation Gilles Caron
Gilles Caron
Michel Poivert
1418. échos, versos et graphies de batailles
Catherine Poncin
Michel Poivert, Guillaume Nahon
Les enfantillages pittoresques
Laurent Millet
Michel Poivert, Arthur Kopel, Christine Besson
No Exaggeration
Vincent Debanne
Michel Poivert
Man’s Land
Marie-Noëlle Boutin
Michel Poivert, Pascal Le Brun-Cordier, Aude Cordonnier
Hermine Bourgadier
Hermine Bourgadier
Michel Poivert
La région humaine – Des corps dans la ville
Collectif, Michel Poivert
Gilles Verneret
Un mince vernis de réalité
Collectif
Michel Poivert, Céline Clanet, François Deladerrière, Géraldine Lay, Geoffroy Mathieu
Florence Calame-Levert
Commissaire
Florence Calame-Levert PhD in ethnology and curator of the heritage, she directs the Museum of Art, History and Archeology of Évreux, Portes de Normandie since 2012. She develops a dialogue between heritage collections, history and contemporary creation. She is curator of the exhibition “Evreux, year zero. Rebuilding a wounded city “(Musée d’Évreux, 2016-2017).