In his work as a photographer and artist, Laurent Millet chapters consists of an imaginary encyclopedia, populated by objects that built in natural settings or in his workshop. His assemblages are hybrids of traditional objects, scientific, architectural, as well as works by artists he likes the work.
What’s this? Sculpture? Drawing? DIY? On installation? The artist sets up “poetic machinery” he then photographs and the final image comes justify all the steps that preceded it .
In its own way, relying mostly on a certain erudition his awkwardness on his skill , he tries to question the images it produces those, and those, latent , waiting in the landscape, in the objects, to be awakened. It looks and their modes of appearance, persistence, practical nature, uncertain identity. From a general point of view, the concept of series is important in the work of the artist. She deep structure. Some are designed as travel.
What’s this? Sculpture? Drawing? DIY? On installation? The artist sets up “poetic machinery” he then photographs and the final image comes justify all the steps that preceded it .
In its own way, relying mostly on a certain erudition his awkwardness on his skill , he tries to question the images it produces those, and those, latent , waiting in the landscape, in the objects, to be awakened. It looks and their modes of appearance, persistence, practical nature, uncertain identity. From a general point of view, the concept of series is important in the work of the artist. She deep structure. Some are designed as travel.
Prix Nadar 2014
Laurent Millet né en 1968, se consacre à la photographie depuis le début des années 1990. Il vit dans des paysages où l’eau, la terre, le ciel se confondent, au bord de l’estuaire de la Gironde, dont il fait son territoire de travail.
Représenté à New York par Robert Mann Gallery, à Paris par Camera Obscura.
Il a publié en 2002 chez Filigranes La méthode un livre d’artiste sous forme de leporello 6 m de longueur.
Représenté à New York par Robert Mann Gallery, à Paris par Camera Obscura.
Il a publié en 2002 chez Filigranes La méthode un livre d’artiste sous forme de leporello 6 m de longueur.
Michel Poivert
Auteur, Critique d'art
Michel Poivert Born in 1965, Professor of Contemporary Art History / History of Photography in Paris 1 University in 1992 He spends his doctorate in history of art at the pictorialist photography, under the direction of José Vovelle . He participated at the same time rescuing SFP threatened with closure, he took the chair. He will head the exhibition “Utopia photographic” the MEP.
1+2 FABULÆ
Céline Clanet, Gaëlle Delort, Alžběta Wolfová
Michel Poivert
Rencontre Anaïs Boudot
Anaïs Boudot
Michel Poivert
Re-connexions
Almudena Romero, Téo Becher, Marion Ellena
Michel Poivert, Fabien Ribery
Odyssées
Aglaé Bory
Michel Poivert
Carpe Diem
Catherine Poncin
Michel Poivert, Florence Calame-Levert
Dérive des baigneuses
Sandra Rocha
Michel Poivert
Guillaume Herbaut
Guillaume Herbaut
Michel Poivert, Sophie Bernard
Les Cahiers de la Fondation Gilles Caron
Gilles Caron
Michel Poivert
1418. échos, versos et graphies de batailles
Catherine Poncin
Michel Poivert, Guillaume Nahon
Les enfantillages pittoresques
Laurent Millet
Michel Poivert, Arthur Kopel, Christine Besson
No Exaggeration
Vincent Debanne
Michel Poivert
Man’s Land
Marie-Noëlle Boutin
Michel Poivert, Pascal Le Brun-Cordier, Aude Cordonnier
Hermine Bourgadier
Hermine Bourgadier
Michel Poivert
La région humaine – Des corps dans la ville
Collectif, Michel Poivert
Gilles Verneret
Un mince vernis de réalité
Collectif
Michel Poivert, Céline Clanet, François Deladerrière, Géraldine Lay, Geoffroy Mathieu
Co-founder and responsible Artkopel redaction in ArtKopel.
Christine Besson is chief curator in charge of the collections of the Museum of Fine Arts in Angers.