Quand la photographie pense la forêt

Des années 1980 à nos jours

  • Quand la photographie pense la forêt
  • Quand la photographie pense la forêt
  • Quand la photographie pense la forêt
  • Quand la photographie pense la forêt
  • Quand la photographie pense la forêt
  • Quand la photographie pense la forêt
  • Quand la photographie pense la forêt
  • Quand la photographie pense la forêt
  • Quand la photographie pense la forêt
  • Quand la photographie pense la forêt

Quand la photographie pense la forêt

Des années 1980 à nos jours

This essay explores the complex relationship between humanity and forests, highlighting how we have historically and currently quantified and managed these ecosystems. From the 17th century, optimizing forest yield was already a concern, mainly for uses such as shipbuilding and military defense. Today, this management extends to areas like paper and lumber production, assessed through profitability calculations. In the context of the Anthropocene, marked by a reduction in areas untouched by human activity, an awareness of the finiteness of natural resources, and climate change, the forest becomes a “central figure in environmental thought.”

This book aims to highlight the diverse ways in which contemporary photographers are able to reinvigorate our relationships with the forest, reviving our capacity to be affected by forms of existence other than our own. Dealing with forest ecosystems, their works also open up political reflections on land management, the exploitation of natural resources, and the extractivism prevalent in the contemporary world. They lead to a reflection on the forest as a common good – which they help to debate.

Released
20/05/2024
Collection
Essai
Format
165 x 240
Français
Broché
111 photos colors and black en white
272 pages
ISBN : 978-2-35046-620-0
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Danièle Méaux is a specialist in contemporary photography and professor in aesthetics and art sciences at the University of Saint-Etienne. She is the author of photography and time (PUP, 1997), Voyages de photographers (Puse, 2009), Geo-Photographies. A renewed approach to the territory (Filigranes, 2015), surveys. New forms of documentary photography (Filigranes, 2019) and contemporary & anthropocene photography (Filigranes, 2022). She is also editor -in -chief of the journal Focales: https://journals.openedition.org/focales/